While the classic Steadicam is still basically unchanged four and a half decades after it made its film debut in 1976’s Bound for Glory, gimbals are getting stronger, lighter, and more powerful every year.
Both have added another dimension to motion picture cinematography. Combining the tried-and-tested Steadicam with the ever-evolving gimbal creates a new cinematographic tool with countless new technical possibilities.
STEADICAM
My latest acquisition – and the camera of choice for indie film-making – is the Z CAM E2-F6 Full-Frame 6K Cinema Camera.
Featuring a full-frame sensor with 10-bit 4:2:2 colour support and a nominal 15 stops of dynamic range, it’s every bit as cool as it sounds. It also supports timecode, shoots up to 6K (at up to 60 fps), and records up to 300 MB/s of data onto CFast 2.0 media..
Pair the Z CAM with a full set of classic Contax Lenses – which use the same glass, coating, and general design of lens that shot The Shining, Full Metal Jacket, and Lost in Translation – and you have my cinetool of choice. This double act is capable of delivering images of cinematographic quality on a par with camera’s biggest names, such as Arri, Red, and Sony. Basically, the combo is ideal for low-budget filmmakers...who have the same lust for that vintage look as I do!
ZCAM F6 & CONTAX PRIMES
My expertise as a cinematographer distinguishes my drone videography from competitors.
Today, drones are as ubiquitous in filmmaking as gimbals, cranes, and remote heads – and are just as important for adding a new dimension to your production.
Going above and beyond is something I aim to deliver in my drone operation services.
I supply full, CAA-approved aerial cinematography services, based around the DJI Inspire 2 – the pinnacle of drone technology, and an incredible filmmaking tool.
